The Pacific Film Archive (or, as they’d prefer I call it, BAMPFA) pretty much shuts down in the second half of May. But come June, the movies come back.
Here are the ten series running from June through August:
Bergman 100: A Summer Interlude (June 1–July 15)
This subdivision of the PFA’s year-long Bergman 100 uberseries concentrates mostly on films from the 1950s. Here’s some of what they’re showing:
- Ingmar Bergman at Work (Wednesday, June 6, 7:00): Not a movie, but a lecture by Svenska Filminstitutet’s Jon Wengström.
- Summer Interlude (Saturday, June 9, 6:00): I like this story of first love, set in a beautiful summer, but it’s not a must-see.
- The Magic Flute (Saturday, June 16, 4:30): I haven’t seen Bergman’s version of Mozart’s popular opera in decades, but I remember loving it.
- Smiles of a Summer Night (Saturday, June 23, 6:00): This romantic sex comedy isn’t what comes to mind when you think of Ingmar Bergman, but it’s one of his most loved.
- Other films in the series: Summer with Monika, Wild Strawberries, Dreams, Port of Call, Secrets of Women, and Brink of Life.
Early Music on Film 2018 (June 2–16)
In conjunction with the Berkeley Festival & Exhibition, this series screens well-known and little-known films of operas, films about people creating operas, and films set in a time when a lot of operas were written. They include:
- Barry Lyndon (Saturday, June 2, 7:00): I saw Kurbrick’s 18th-century epic in 1975, and hated it. Maybe I should revisit it, but I can’t make it that night.
- Amadeus (Wednesday, June 13, 7:00): I love this Michael Weller/Milos Forman tall tale of the death of Mozart.
- The Magic Flute (Saturday, June 16, 4:30): It’s the same screening as the one above.
- Other films in the series: Facing Agrippina, L’Orfeo, Il trionfo del Tempo e del Disinganno, and The Color of Pomegranates.
The Luminous Legacy of Greta Garbo (June 7–July 13)
She was, without a doubt, one of the greatest of movie stars. Silent or sound, Garbo cast a mysterious and the sexual spell in almost every film she made. This series sticks to her American films.
- Flesh and the Devil (June 7, 7:00): This silent film, her third in America, made her a star. The passion between Garbo and co-star John Gilbert is real and palpable. Worth seeing.
- Queen Christina (Saturday, June 16, 7:30): Garbo plays the famous Swedish queen as a cross-dressing monarch who must choose between her throne and her desires.
- Anna Christie (June 22, 7:00): Her first talkie, and a big risk for MGM because of her accent.
- Ninotchka (Saturday, July 7, 8:15): Garbo’s first comedy and penultimate film was written by Billy Wilder and directed by Ernst Lubitsch. Read my report.
- Other films in the series: Grand Hotel, A Woman of Affairs, Anna Karenina, Camille, and Two-Faced Woman.
Sunday Summer Cinema: Dancing in the Streets (June 10–October 14)
These musicals won’t be shown in the PFA theater. They’ll be screened, for free, on the giant screen outside.
- Singin’ In the Rain (Sunday, June 1, 4:00): See my A+ report.
- The Red Shoes (Sunday, July 8, 4:00): This melodrama about sacrificing yourself for art is a great example of three-strip Technicolor at its best.
- West Side Story (Sunday, September 9, 4:00): Street kids fight and dance in this seriously-flawed masterpiece. Read my report.
- Also in this series: Step and The Young Girls of Rochefort.
Michelangelo Antonioni (June 15–August 31)
This series contains three films I’ve seen and a whole lot I haven’t. Rather than listing titles, I’ll just point you to my last Bayflicks article about the Italian auteur.
The movies to be screened are L’avventura, La notte, L’eclisse, Red Desert, Story of a Love Affair, The Lady Without Camellias, I vinti, Le amiche, Il grido, Blow-Up, Zabriskie Point, The Passenger, The Mystery of Oberwald, Identification of a Woman, Beyond the Clouds, Chung Kuo China, and two collections of short films.
Jacques Becker (July 12–August 31)
I’m not at all acquainted with this French director. Maybe it’s time I get to know him. The series will screen Goupi mains-rouges, Dernier atout, Falbalas, Antoine et Antoinette, Casque d’or, Édouard et Caroline, The Lovers of Montparnasse, Rendezvous de Juillet, Touchez pas au grisbi, Le trou, and La vie est à nous. Also, Bertrand Tavernier’s My Journey Through French Cinema.
Bergman 100: An Emerging Style (July 20–August 19)
I haven’t seen any of the four films in this subdivision of Bergman 100. I’m not quite sure what separates these from other Bergman films.
Subtle Subversion: The Films of Alain Tanner (July 26–August 19)
Again, I’m not familiar with his work, although there’s one title I recognize: Jonah Who Will Be 25 in the Year 2000 (Friday, August 3, 7:00). Maybe I should see it.
Andrei Tarkovsky: Sculpting in Time (August 4–30)
I’ve seen a lot of Tarkovsky’s work lately, and mostly at the PFA.
- Ivan’s Childhood (Saturday, August 4, 6:00): Ivan doesn’t really get to have a childhood; that’s the fate of those who grow up in a war zone. Read my report.
- Andrei Rublev (Thursday, August 9, 7:00): How can a film that’s plotless, episodic, slow, and runs 205 minutes be so good? Well, it is that good.
- Solaris (Thursday, August 16, 7:00): The plot could easily work as a Star Trek episode. But no Star Trek episode ever felt so bleak and hopeless. Read my report.
- Stalker (Thursday, August 23, 7:00; Sunday, August 26, 6:30): Another science fiction tale, only this one is even weirder. A great film.
- The Sacrifice (Thursday, August 30, 7:00): This very quiet, low-key film seems to be about nuclear war, or a nuclear accident. Or maybe it’s about faith. Very worth seeing.
- Other films in the series: The Mirror and Nostalghia.