I hope you noticed that I didn't publish a San Francisco International Film Festival report yesterday. I took Tuesday off, so I had nothing to write about on Wednesday. But what did I see on Wednesday? Unlike every other day at the SFFILM Festival, I did not see a single new feature. Instead, I saw … Continue reading International Shorts & Mismatched Music: Wednesday at SFFILM Fest
Category: Silent Films
Chaplin Diary, Part 9: The Kid
As Chaplin's methods slowed down while he chose to make longer films, it was inevitable that a year would come without a single new Chaplin comedy. The first such year was 1920; there would be many others. Everyone wanted him to make more movies. His distributer, First National, had signed him up for eight short … Continue reading Chaplin Diary, Part 9: The Kid
SF Silent Film Fest Bigger (and hopefully better)
How much moviegoing can a man in his 60s take in a short period of time? Come late May and early June, I think I'm going to find out. This year's San Francisco Silent Film Festival will last a full four days; five if you include opening night (Wednesday, May 30). That's one more day … Continue reading SF Silent Film Fest Bigger (and hopefully better)
Chaplin Diary, Part 8: Early First National
Charlie Chaplin's contract with First National turned him from an employee to an independent contractor. He built his own studio, hired his own employees, and financed his own films. First National just handled distribution. Chaplin was required to produce eight movies of two reels or more, over the course the 18 months. It took him … Continue reading Chaplin Diary, Part 8: Early First National
Chaplin Diary, Part 7: Late Mutual
Extreme perfectionism slowed Chaplin down as he made his last Mutual comedies. Up through Easy Street, his ninth movie with the company, he had managed to meet his contract's one two-reeler-a-month schedule. But he took three months to make The Cure, and another three for The Immigrant. His last Mutual, The Adventurer, took four months … Continue reading Chaplin Diary, Part 7: Late Mutual
Chaplin Diary, Part 6: Middle Mutual
With almost full freedom, Chaplin was able to take considerable time to get his vision on film. According to Peter Ackroyd's biography, Charlie Chaplin, "he spent three weeks on filming one scene alone, in which he kicks his rival while whirling around with a partner on the dance floor." With that sort of perfectionism, it wasn't … Continue reading Chaplin Diary, Part 6: Middle Mutual
Chaplin Diary, Part 5: Early Mutual
What happens to a performer whose contract ends just as they become the most famous and beloved person on the planet? They get tremendous artistic control and an obscene amount of money. When Chaplin signed another one-year contract, this time with the Mutual Film Corporation, he got his own production company and studio, and near … Continue reading Chaplin Diary, Part 5: Early Mutual
