You may notice a new banner at the top of this page. Yes, I've removed the Bay Bridge motif and replaced it with images from some of the theaters I write about. And I've also removed .net from the blog's official title. When I started this blog more than ten years ago, I wanted the … Continue reading Bayflicks.net or .com: A new look and a new name
Month: December 2014
The Interview at the New Parkway (Spoiler: The theater didn’t blow up)
I haven't written anything yet about The Interview and its assorted release problems. Why should I? Everyone else has already written about it. Besides, I was on vacation. Now I'm back. Sunday night, my wife and I saw Kim Jong Un's least favorite movie at the New Parkway. Perhaps it was a case of lowered … Continue reading The Interview at the New Parkway (Spoiler: The theater didn’t blow up)
Harold and Maude–Still funny and inspiring after all these years
The 1971 comedy Harold and Maude fit the late hippy era as perfectly as Pink Floyd and the munchies. At a time when young Americans were embracing non-conformity, free love, ecstatic joy, and 40-year-old Marx Brothers movies, this counterculture romance between an alienated and death-obsessed young man and an almost 80-year-old woman made total sense. … Continue reading Harold and Maude–Still funny and inspiring after all these years
What’s Screening: December 26 – January 1
No festivals this week, but I do have a disclaimer: I wrote this newsletter a week early in order to give myself some vacation time. I may miss some screenings, or include some that have since been postponed. A Metropolis,Thursday, 7:30. The first important science fiction feature film still strikes a considerable visual punch, and … Continue reading What’s Screening: December 26 – January 1
Die Hard: Even Better on the Big Screen
Sunday afternoon, I finally saw Die Hard in a movie theater. And not just any movie theater, but the Castro. I've liked this movie for a long time. But between the big screen, the powerful sound system, and the enthusiastic audience, it was a whole new experience. And a great experience. I used to give … Continue reading Die Hard: Even Better on the Big Screen
Return to the UC Theatre
Thursday night, I attended an open house at the UC Theatre, once my shrine to the art and joy of cinema. As I mentioned back in April, The Berkeley Music Group plans to reopen the UC next year as a music venue. I was surprised by how much the theater hasn't changed. It was in … Continue reading Return to the UC Theatre
What’s Screening: December 19 – 25
The only festival this week is A Coppola Family Affair, a weekend-long celebration of films by Francis and his family. I'm placing the Coppola movies at the bottom of this newsletter. C+ Pioneer, Opera Plaza, starts Friday. Early in this Norwegian thriller, a professional deep-sea diver—who is also a loving husband and father–tells his brother … Continue reading What’s Screening: December 19 – 25
Saving Private Lebowski at Rio Bravo: 25 movies added to the National Film Registry
As they do every year, the Library of Congress has added 25 additional motion pictures to its National Film Registry. According the press release I received Wednesday, "Selection to the registry will help ensure that these films will be preserved for all time." Or at least until Congress cuts the budget to provide additional income … Continue reading Saving Private Lebowski at Rio Bravo: 25 movies added to the National Film Registry
Pioneer Review: Deep Water, Shallow Story
C+ Writtern by Nikolaj Frobenius, Hans Gunnarsson, Cathinka Nicolaysen, Erik Skjoldbjærg, and Kathrine Valen Zeiner Directed by Erik Skjoldbjaerg Early in this Norwegian thriller, two brothers—both highly-skilled deep-sea divers—have a talk. The one who’s a loving husband and father tells his bachelor brother that this will be his last dive; he wants to spend more … Continue reading Pioneer Review: Deep Water, Shallow Story
Approaching The End: Imagining Apocalypse in American Film
Film noir led to apocalyptic cinema. When human society has no clear moral boundaries, the end of the world is but a plot twist away. At least that's the argument that Peter Labuza sets out to prove in his new, very short book, Approaching The End: Imagining Apocalypse in American Film. I can't say that … Continue reading Approaching The End: Imagining Apocalypse in American Film