A restored John Huston, a disturbing John Cassavetes, Minnelli’s Hollywood noir, and a bunch of hippies grace Bay Area screens this week.
The only festival this week is CyberiaVR, which opens Thursday. What is CyberiaVR? According to the website, it’s “the first conventionally-styled film festival taking place entirely in Virtual Reality,” and “SFIndieFest’s endeavor to discover the bridge between virtual reality and film.”
Beat the Devil, Castro, Sunday
I saw John Huston’s self-parody at The UC Theatre ages ago. All I remember is that I didn’t care for it much. But that was a lousy print of an incomplete movie. The Film Foundation recently reconstructed the director’s cut and given the the film (which many consider a masterpiece) a 4K restoration. This may be a whole new experience. On a double bill with The Maltese Falcon, to which I give an A.
A Woman Under the Influence, Pacific Film Archive, Sunday, 7:00; Wednesday, 7:00
When I was 22, my (considerably older) girlfriend dragged me to this harrowing John Cassavetes drama about a housewife suffering severe mental issues. I was not ready for it. I think I am by now. Part of the series Personality Is Plot: The Films of John Cassavetes.
A Bonnie and Clyde, Castro, Saturday
This low-budget gangster movie, produced by and starring Warren Beatty, hit a nerve with young audiences in 1967 and became a big surprise hit. Shocking in its time for both the violence and sexual frankness (matching a horny Bonnie with an impotent Clyde), it still hits below the belt today. The title characters become alienated youth, glamorous celebrities, good kids who made a bad decision, selfish jerks, and tragic heroes with a sealed fate. On a double bill with Butch Cassidy and the Sundance Kid, which I haven’t seen in ages.
B+ Double bill: The Bad and the Beautiful & Bedlam, Stanford, Friday through Sunday
The B+ goes to Vincente Minnelli’s attack on Hollywood, The Bad and the Beautiful. Using a Citizen Kane-like multiple flashback structure, it tells the story of a talented, outwardly nice Hollywood producer (Kirk Douglas) who only seems evil to those who get to know him. Bedlam is a good, fun little low-budget horror film from 1946, set in the legendary madhouse. With Boris Karloff, of course. I give it a B.
B Festival Express, Pacific Film Archive, Saturday, 7:30
Free outdoor screening (bring a blanket or lawn chair). In 1970, someone got the idea of putting Woodstock on wheels. Janis Joplin, the Grateful Dead, and other acts crossed Canada by train, stopping to perform. As you can imagine, things got pretty wild on the train. The concert footage doesn’t compare to Monterey Pop or The Last Waltz, but it’s fun.
Lebowskies (frequently-revived classics)
- Eraserhead, Roxie, Friday, 9:00; Wednesday, 10:30
- Stop Making Sense, New Parkway, Friday, 10:30pm. I can’t think of a better theater for a movie that makes you want to get up and dance!
- Raiders of the Lost Ark, Alamo Drafthouse New Mission, Saturday, 10:00am; Sunday, 10:15am (Brunch Club). MY THOUGHTS ON THE FILM. The New Mission’s huge screen should work very well for this movie.
- Mulholland Dr, Roxie, Saturday, 9:00; Monday, 9:00
- The Rocky Horror Picture Show, Clay, Saturday, 11:55pm (just before midnight). MY REPORT.
- Amarcord, Pacific Film Archive, Saturday, 5:30. Optional dinner after the movie. MY FULL REVIEW.
- The Matrix, Alamo Drafthouse New Mission, Monday, 7:00