Well, I thought I was going to ignore SFFilm on Thursday, but that didn’t happen. Over the last two days, I watched three films and followed a discussion about one of my favorite films of the festival.
B Naked Singularity
You need to suspend a lot of disbelief to enjoy this movie, but it’s worth it. At least It starts realistically. A compassionate public defender (John Boyega) fights against a cruel and racist legal system. Then, for ridiculous reasons, he and two friends get involved in a dangerous drug heist involving some very scary people. Yes, it’s three smart people doing really stupid things. But for the most part, it’s an entertaining crime thriller.
Naked Singularity is no longer available through the festival. But it will almost certainly be in theaters (real or virtual) soon enough.
B- Ma Belle, My Beauty
You’d expect something interesting with American newlyweds in a beautiful home in Southern France. At least, you’d expect this handsome pair to be happy. But the bride pines for her female lover, who soon turns up. And another woman comes along, too. Meanwhile, the husband (a well-known musician), doesn’t seem interested in sex at all. The location is pleasant, and so is the sex, but the characters are less defined than they should have been.
Like most of the films in the festival, Ma Belle, My Beauty is streaming until Sunday night.
D- Strawberry Mansion
This totally ridiculous fantasy, set in the year 2035, provides a few laughs and a little mystery early on. But as the movie goes, the story gets weirder and weirder, and not in a good way. There’s some sort of message about advertising, but the film tries to beat that theme into your head. By the second half, you’ll be checking your watch every five minutes, hoping the movie will soon be over.
If, for some reason, you want to see this movie, you can stream it through the festival until Sunday night.
Persistence of Vision Award Ceremony
This beautiful, animated feature about people trying to save mythological creatures is not for children. Set in the 1960s, poachers hunt for rare and magical animals. Meanwhile, the Pentagon wants to turn these beasts into weapons. A handful of heroes attempt to bring them to a special zoo, where they might be saved…but they’ll also be imprisoned. The hand-drawn animation is not Disney-standard but strikingly dramatic. The film contains sex and some very grisly violence.
The film’s director, Dash Shaw, won this year’s Persistence of Vision Award. Friday afternoon, Shaw and Oscar nominee Trevor Jimenez talked about the film.
Here are some highlights of the discussion, edited for brevity and clarity:
- On becoming an animator: I was lucky. My father read a lot of underground comics. I was probably more encouraged than other kids.
- It took five years to make Cryptozoo. I storyboarded it in 2016. Jane [his wife and main collaborator] painted most of the mythical characters. It felt like a big collage coming together over the years.
- During the pandemic, it was all about writing. I was sending very large emails to my artists telling them what to change.
- I wanted something morally complicated.
- On actors recording the dialog: I tried to take inspiration from the actors’ faces. I especially liked Michael Cera’s movements.
- Would you work for a major animation studio? I feel like you must really want to be at Pixar. I never felt the need to fight for that. I live off my graphic novels.
- Collaborating with his wife: She’s good at what I’m not good at. She’s always pushing for more movement.
- Like most animators, I know too much about Walt Disney. The Zoo was partly inspired by Epcot Center.
- I want to keep making films and comics. I learn from each one. I’m now making a graphic novel about Quakers during the Civil War.