December at the Castro

Have you seen the Castro’s Coming Soon page? Some interesting stuff coming up in December.

Regular readers know that I disapprove of all the brouhaha over Gone with the Wind’s 75th anniversary. I find it upsetting that a film so racist can be a beloved classic in the 21st century, with very little discussion of what the picture is saying. The Castro has joined the theaters screening this epic apology for slavery, but they did something interesting that I like. For December 28, they’ve put it on a double bill with Django Unchained. I don’t care much for Tarantino’s spaghetti western version of the old south,  but at least it’s on the side of freedom.

gone with django

On the other hand, since Gone with the Wind runs 238 minutes, it’s hard to imagine it on a double bill with anything. At 165 minutes, Django Unchained is hardly short, either. The total approaches seven hours.

I supposed they couldn’t get 12 Years a Slave, which is much better than Django, looks at slavery from a very real perspective, and is about half an hour shorter.

Also on the schedule:

  • December 9: An Evening with Jared Diamond. I loved Guns, Germs, and Steel, and liked Collapse a lot too. Should be an interesting talk.
  • December 12: Who Framed Roger Rabbit. I saw it when it was new, and loved it. Don’t know if I’d love it now. On a double bill with Ed Wood, which I also saw when it was new. I was disappointed in that one.
  • December 21: Die Hard. One of the best action flicks ever. I’ve seen it on Laserdisc and DVD, and own it on Blu-ray, but I’ve never seen it on the big screen. Unfortunately, I won’t be able to see this screening. On a double bill with Scrooged, which I understand isn’t very good.
  • December 22: It’s a Wonderful Life. Yes, it’s corny, but it’s a wonderful movie.
  • December 26: Bogart Double bill. Two of his best and best known: Casablanca and The African Queen.
  • December 29: Two big, large-format roadshow musicals from the 1960s, My Fair Lady and The Music Man. I prefer Pygmalion without the songs, but I do like The Music Man.