A Hide and Seek
Four young adults, two women and two men, move into a large and remote country house, intent on a life of self-discovery and sex. Mostly sex. That sounds like a wild fling, but everything is oddly planned and organized. For instance, they have a schedule defining who will sleep with who each night. Of course, things won’t stay that organized. For a drama and character study, Hide and Seek is unusually upbeat, and has surprisingly little dialog. Much goes unexplained–finances, for instance. And yet, through looks, gestures, and some well-chosen words, we come to know these four extremely well–and not only because we see a lot of them with their clothes off. A remarkable work, and a pretty explicit one.
B- For Those About to Rock: The Story of Rodrigo y Gabriela
For the first two thirds of its 84-minute runtime, this is yet another music documentary woefully lacking in music. We watch and hear Rodrigo Sanchez and Gabriela Quintera talk about their music and their struggles to get recognized. We learn how they developed their unique style–which I’d describe as instrumental, acoustic heavy metal with a Latin flare–in their native Mexico City, and how they found fame in Ireland. But you only hear the music itself in brief snatches, much of it as basic movie background music. You never hear a song all the way through, and get only quick glimpses of what makes these two worth being the subject of a documentary. But then, almost an hour into the movie, it becomes the concert film it should always have been, and thus becomes exciting and magical.
Like its main character, this low-key French-Canadian comedy/drama seems to make a point of going nowhere. That would be fine if it was already in an interesting place. The protagonist is a young woman sharing in her parent’s comfortable home (while they’re out of town) with her brother and his band. Early on, writer/director Stéphane Lafleur shows a nice touch for quiet, off-beat humor, with an awkward end to a one-night-stand and a 10-year-old boy with the baritone voice of a large man. But the humor dries up soon, and then there’s nothing left but characters who–aside from some occasional moments–are neither deep nor interesting.