Digital or film? For cinephiles, that’s the great controversy of our age. And the arguments get particularly agitated when talking about classic pictures made at a time when digital projection wasn’t an option.
But in the coming weeks, you get your chance to watch two Stanley Kubrick classics on 35mm film, and then again on DCP–the digital format used for professional theater projection. The films are Dr. Strangelove and The Shining.
This Sunday, September 28, the Roxie will screen both films as a double bill. Then, as part of their ongoing series, Eyes Wide: The Films of Stanley Kubrick, the Pacific Film Archive will screen Dr. Strangelove on Sunday, October 4. On Friday, October 24, they’ll screen The Shining. Both pictures will be screened off DCPs.
What motivated their decisions?
PFA programmer Steve Seid told me that that when he requested the films from Warner Brothers, and "they said only Eyes Wide Shut was on film." In other words, he had no choice about The Shining. I neglected to ask him about Strangelove, which is not owned by Warner.
And what about the Roxie? Seid, who’s on the Roxie board, told me that they don’t have the DCI-compliant projector needed for DCPs. The best they can do, digitally, is Blu-ray. That can look very good on a theater screen, but not as good as a 35mm print.
The Roxie double bill is in conjunction with the Spoke Art gallery, which is running a Kubrick tribute art show which, unfortunately, closes today. Art Spoke’s owner, Ken Harman, provided the prints for the Roxie. Harman told me that "The choice to go 35mm was mostly an aesthetic one, I’m by no means a ‘purist’ and appreciate DCP, however being able to view films in 35mm is getting more and more rare…"
Harmen did not tell me where he got the prints. Seid assumes "that the Roxie found either archival or private prints." In that case, those prints should really be a treat.