On Sunday, for the first time in my life, I attended two film festivals on the same day. Only in the Bay Area. Modern Cinema/Black Powers: Reframing Hollywood SFFILM and SFMOMA don't officially call their various series festivals, but they qualify in my book. When you can see eight films in three days, all built … Continue reading A Day of Two Film Festivals
Category: Silent Films
Chaplin Diary, Part 14: City Lights
As we work through Charlie Chaplin's directorial work in chronological order, we now come to his greatest masterpiece. Yes, that's my opinion, but it's hardly an unusual one. City Lights may come as close to a perfect comedy as you can find. I've already written about City Lights in a 2013 Blu-ray review, so I'll … Continue reading Chaplin Diary, Part 14: City Lights
Chaplin Diary, 13: The Circus
People often overlook Charlie Chaplin's fourth feature, The Circus. Sandwiched between his two long-form masterpieces, The Gold Rush and City Lights, it feels unimportant. But you shouldn't overlook it. While The Circus is no masterpiece, it's a very funny comedy with a considerable amount of heart, even if it veers very close at times to the … Continue reading Chaplin Diary, 13: The Circus
Tom Mix, Sherlock Holmes, Buster Keaton, & Serge Bromberg: San Francisco Silent Film Festival, Part 2
The final nine programs I saw at this year's San Francisco Silent Film Festival: Saturday: Cowboys, spies, and Sherlock Holmes No Man's Gold After nearly 50 years as a silent film fan, I finally got around to seeing a Tom Mix western. I liked it - for what it is. The story involves a map … Continue reading Tom Mix, Sherlock Holmes, Buster Keaton, & Serge Bromberg: San Francisco Silent Film Festival, Part 2
Carl Dreyer, Yasujirô Ozu, & Ernst Lubitsch: My first report on the San Francisco Silent Film Festival
There's no time to write and post articles during the San Francisco Silent Film Festival, so I'm doing it afterwards. My first installment covers opening night, and two of the four full days - except for the late night screenings of The Lighthouse Keepers and Policeman. I need my sleep. Wednesday: Opening Night The Man … Continue reading Carl Dreyer, Yasujirô Ozu, & Ernst Lubitsch: My first report on the San Francisco Silent Film Festival
Chaplin Diary, Part 11: A Woman of Paris
Frst After completing The Pilgrim, Charlie Chaplin was finally free of his First National contract. He could now concentrate on making features for United Artists - the company he created with Mary Pickford, Douglas Fairbanks, and D.W. Griffith. But Chaplin had a problem: Edna Purviance. She'd been his leading lady for eight of his nine … Continue reading Chaplin Diary, Part 11: A Woman of Paris
Yet Another Silent Film Festival
Finally, folks in the Northeast Bay Area won't have to drive across a bridge to watch silent films. The Empress Theatre Silent Film Festival runs this Friday through Sunday at the Empress Theatre in Vallejo. It's a modest festival, with only four programs spread across three days. The Niles Essanay Silent Film Museum sponsors this … Continue reading Yet Another Silent Film Festival
Chaplin Diary, Part 10: The Last Shorts
With The Kid's high acclaim and higher box office numbers, Charlie Chaplin proved that he could successfully make feature-length films. But he still owed First National three pictures, and his partners at United Artists desperately wanted Chaplin movies to release. To please both companies, he would have to make three more shorts before he could … Continue reading Chaplin Diary, Part 10: The Last Shorts
International Shorts & Mismatched Music: Wednesday at SFFILM Fest
I hope you noticed that I didn't publish a San Francisco International Film Festival report yesterday. I took Tuesday off, so I had nothing to write about on Wednesday. But what did I see on Wednesday? Unlike every other day at the SFFILM Festival, I did not see a single new feature. Instead, I saw … Continue reading International Shorts & Mismatched Music: Wednesday at SFFILM Fest
Chaplin Diary, Part 9: The Kid
As Chaplin's methods slowed down while he chose to make longer films, it was inevitable that a year would come without a single new Chaplin comedy. The first such year was 1920; there would be many others. Everyone wanted him to make more movies. His distributer, First National, had signed him up for eight short … Continue reading Chaplin Diary, Part 9: The Kid
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