The San Francisco Museum of Modern Art (SFMOMA) recently gave its Phyllis Wattis Theater an upgrade. And now they’re combining forces with the San Francisco Film Society for a three-weekend series of Modern Cinema, with an emphasis on films both haunted and haunting.
SFMOMA and SFFS aren’t the only organizations involved. The festival will focus on films preserved and made available by Janus Films and the Criterion Collection. And the Thai filmmaker Apichatpong Weerasethakul joins the mix, with a weekend dedicated to his work and the films that have inspired him.
Although neither organization is using the word festival, I’m counting the series as one because each weekend provides enough cinema to become an intensive experience.
The first section, Haunted by Cinema, runs Friday, October 7 through Sunday the 9th. Despite the name, these are not necessarily scary movies. They’re films that “have haunted the creative world since they were first screened—the works whose influence can be felt in all the films that followed.” They include such well-known classics as Rashomon, The Seventh Seal, and L’Avventura. But they also include lesser but still influential works like Mysterious Object at Noon and Black Girl.
Unfortunately, that first weekend will conflict with the Mill Valley Film Festival. It’s hard to find a film festival-free weekend in the fall.
The second section, Apichatpong Weerasethakul, concentrates on the filmmaker, his films, and the films that inspired him. It starts with An Evening with Apichatpong Weerasethakul, where he’ll talk and screen shorts. In addition to Weerasethakul’s work, the weekend will include The Spirit of the Beehive, Knife in the Water, The River, and Viridiana. This section runs from Thursday, October 13 through Sunday the 16th.
The final section, Haunted Cinema, is the fun one. It runs Friday, October 21 through Sunday the 23rd--as Halloween in approaching. The movies include Picnic at Hanging Rock, Ugetsu and Carnival of Souls.
The newly improved Phyllis Wattis Theater sports two 35mm projectors (for archival prints), a 4K DCP-compatible digital projector, Meyer Sound, and its own entrance separate from the Museum proper.
Carnival of Souls
It also has drink holders. At the press conference I attended, they kept talking about the drink holders. But they also showed us a digital clip from Carnival of Souls; it looked fantastic.
Twelve of the films will be screened in 35mm. The remaining 14 will be digital. They’ll be showing The River on film; I hope it’s the same 1952 dye-transfer print I saw last year.