A few things to look forward to next month:
- After a summer recess, the Alameda relaunches its Classic Movie Series on the 15th with the Elvis Presley vehicle Blue Hawaii, which I vaguely remember seeing as a kid. My memories of the other two films–Three Days of the Condor and The Seven Year Itch–are also vague.
- The Balboa‘s Thursday classic series will cover Hollywood in the 60s with four well-chosen films: The Apartment, To Kill a Mockingbird, 2001: A Space Odyssey, and Midnight Cowboy. They’re
also screening heist films every Tuesday throughout the month.
- The Castro has a lot of good stuff, of course, including Nashville (9/17), Lawrence of Arabia (9/18-20), Midnight Cowboy (9/24), and a double bill of The Treasure of the Sierra Madre and Sorcerer (9/27).
- The Castro will also do an all-day Vittorio De Sica series on 9/26. Oddly, it’s skipping his Neorealism masterpiece, The Bicycle Thief.
- After a summer hiatus, the Cerrito restarts its Classics series with Stanley Kubrick’s Lolita.
- The I Wake Up Dreaming series of very dark noirs will play in Berkeley’s California Theater Wednesdays throughout the month. I’ll be able to see noir on the big screen without crossing the bay!
Finally, I want to clear up some confusion concerning two documentaries on the same subject. This year’s San Francisco Jewish Film Festival presented a doc called The Go-Go Boys: The Inside Story of Cannon Films. It focused on Menahem Golan and Yoram Globus, who built a successful Israeli movie studio, moved to Los Angeles, churned out low-budget action flicks at record speed, made huge amounts of money, became a power in Hollywood, and then saw their business empire collapse.
I screened that documentary before the Festival, enjoyed it moderately well, and gave it a B.
So I was surprised a few weeks ago to discover that a documentary about Cannon Films called Electric Boogaloo: The Wild, Untold Story of Cannon Films would be coming out in September. Had a new distributor changed the name?
No. It’s actually another documentary. According to this blog post by George Rother, “Neither Golan nor Globus participated in Electric Boogaloo. True to old form, they immediately set about making their own documentary, The Go-Go Boys: The Inside Story of Cannon Films. It beat Electric Boogaloo
into theaters by three months. I can’t think of a more appropriate swan song for Golan, ” who died earlier this month.