We get another day this year of massive silent movie overload. It’s coming September 20, when the San Francisco Silent Film Festival takes over the Castro for their first Silent Autumn event. According to a festival press release, "We’ve moved our annual winter event to fall ," although September in my book counts more like late summer.
The program leans toward the well-loved and famous rather than the curious and obscure. The three features will be The Son of the Sheik (1:00), The General (7:00), and The Cabinet of Dr. Caligari (9:00). If you know anything about silent films, you’re probably already familiar with these titles.
But just because you know the titles doesn’t mean you’ve experienced them with a good print, live music, and an enthusiastic audience.
Buster Keaton pushed film comedy like no one else when he made The General. He meticulously recreated the Civil War setting, mixed slapstick comedy with battlefield death, and hired thousands of extras. He filmed what may be the single most expensive shot of the silent era, then used that shot as the setup for a gag whose punch line is a simple close-up. The result was a critical and commercial flop in 1926, but today it’s rightly considered one of the greatest comedies ever made.
I’ve seen The General many times theatrically–most recently at the Oakland Paramount. I’ve even seen it–at the Castro many years ago–with the Alloy Orchestra, who will accompany it at the Autumn event. I don’t recall much about their score, but it didn’t move me as much as some other General scores, such as Carl Davis’ and Christoph Bull’s.
The Alloy Orchestra will also accompany The Son of the Sheik. I’ve only seen this one once, about 40 years ago, at Hollywood’s fabled Silent Movie Theater. They screened it with a needle-drop score, rather than with live accompaniment. I look forward to seeing it properly. (I might prepare for it by seeing The Sheik first.)
The Cabinet of Dr. Caligari helped launch the German expressionist movement, and it’s about as expressionistic as they come. It’s quite possibly the weirdest horror film I’ve ever seen. Donald Sosin will accompany.
In addition to these features, this one-day festival will include two collections of shorts. Both will be accompanied by Sosin.
The first, Another Fine Mess: Silent Laurel and Hardy Shorts (11:00am), is exactly what the name implies. Remembered primarily for their talkies, Laurel and Hardy were also the last great stars of silent comedy; their characters gelled and their fame rose just before sound came in. The website only lists two titles: Two Tars (which I haven’t seen) and Big Business (which I love). They’ll probably screen one or two others; I’m hoping for Liberty and/or The Battle of the Century.
The second collection of shorts will be A Night At the Cinema In 1914 (3:30). Put together by the British Film Institute, this collection of 14 shorts recreates the experience of watching a typical English movie-going experience from the dawn of World War I.
I know where I’m going to be September 20.