I generally only write about Bay Area film festivals. In fact, all too often, I don’t have time to cover them properly. And yet here I am, writing about a festival that’s four hundred miles away. And there’s simply no practical way for me to attend.
It is, of course, Turner Classic Movies’ TCM Classic Film Festival, a celebration of classic films and restoration. Among the better-loved titles are Tokyo Story, American Graffiti, Stagecoach, A Hard Day’s Night, Gone with the Wind, Mary Poppins, East of Eden, the original Godzilla, and This is Spinal Tap. Other titles include The Best Years of Our Lives, Mr. Deeds Goes To Town, Johnny Guitar, Hobson’s Choice, and Freaks.
More than anything else, I would love to attend the screening of The Adventures of Robin Hood, and not only because it’s my all-time-favorite swashbuckler and turn-of-the-brain action movie. Craig Barron and Ben Burtt will be in attendance to discuss how the special visual and audio effects were created. The conversation with Carl Davis also looks like fun.
Techy that I am, I naturally wanted to know how the films would be projected.–film or digital? At first, that seemed impossible. Clicking on a title from the Programs page tells you everything about the movie and the presentation except that one little detail.
But I found a way. If you go to the schedule page, you’ll get a pop-up that, among other things, tells you if the film is 35mm or "digital." It doesn’t say what kind of digital. I’d certainly feel cheated if they screened a DVD. I’ll give the festival a benefit of the doubt and assume here that all of the digital presentations will be off of DCPs–the professional, theatrical format.
I didn’t click on every single movie, but I checked out a reasonable sample. About half the films will be digitally projected, and as a general rule, they’re the better-known titles. Oklahoma, East of Eden, and Double Indemnity will be screened digitally. But On Approval, My Sister Eileen, and The Naked City will be on 35mm film.
That isn’t surprising. It takes time and money to properly digitalize an old movie. Naturally, the films everyone loves are the top priorities.
Of course there are exceptions. Stagecoach will be screened on 35mm, and Paper Moon will be digital.
I know that a lot of people disagree with me on this, but I’m happy to see so many classics available on (I assume) DCP. It makes them available in more theatres. And a well-transferred DCP looks at least as good as a brand-new print going through a projector for the first time. Often, they look better.
But sometimes they take the digitizing too far. For its 75th anniversary, the festival will screen the 3D version of The Wizard of Oz. A 2D movie should remain 2D.