Quick notes on two films screening at the Mill Valley Film Festival. Both films have one more screening at the festival, and both will soon get a theatrical release.
Mifune: The Last Samurai
I caught this documentary at the Lark Friday night. Director Steven Okazaki introduced the film, describing his first Mifune experience: The Seven Samurai, projected off a 16mm print onto a bedsheet that was not secured at the bottom. When someone opened the door, wind fluttered the sheet, and everyone complained.
Fortunately, the screen at the Lark is properly mounted, and we had no such problems.
As the title suggests, this biography of Toshiro Mifune concentrates on his samurai films, especially those he made with Akira Kurosawa (arguably cinema’s greatest collaboration between auteur and actor). If you have any interest in Japanese films, you’re going to enjoy this movie. And you’ll probably learn a few things about them, as well–including information about the earliest sword-fighting silents. Interview subjects include Martin Scorsese and Steven Spielberg.
I give Mifune: The Last Samurai a B+.
After the film, Okazaki came back on stage for Q&A. Some highpoints, lightly edited for clarity:
- I wanted to do a history of samurai movies, but my producer told me that that was impossible [because of rights issues].
- On the breakup of the Kurosawa/Mifune relationship: People want one clear explanation, such as Mifune getting mad because the beard Kurosawa made him grow for Red Beard
kept him from making other films. In reality, I don’t think there was ever a moment when Mifune didn’t want to work with Kurosawa.
- He never stopped smoking.
- Despite Mifune’s impressively athletic physique, he insisted he never worked out.
Mifune: The Last Samurai will screen again this Sunday, October 16, at 2:15, at the Century Larkspur. According to Okazaki, it will play at Bay Area theaters in November.
I saw this erotic noir recently at a press screening, not realizing that it was also playing at the Mill Valley Film Festival.
This atmospheric Korean thriller boils over with lies, double crosses, larceny, surprise plot twists, and a lot of sex–much of it quite kinky. At 90 minutes, it would be a great entertainment, but at its actual length of 144, it often drags. The handmaiden of the title works for a young Japanese lady she plans to rob. Things get messy. Overall, the good scenes in The Handmaiden are worth wading through the bad ones.
I give The Handmaiden a B-.
The film has one more Festival screening, tonight, at the Lark, at 8:15. It opens in Bay Area theaters on October 28.