The Actor’s Voice: My review of Listen to Me Marlon

A documentary

  • Directed by directed by Stevan Riley

I’ve seen a lot of documentaries about movie stars. But I’ve never before seen one quite like this Marlon Brando biography. By using Brando’s own audio recordings in place of the usual voice-of-God narration, it takes us into his head. You won’t get as many facts in Listen to Me Marlon as you would in a conventional documentary, but you’ll get a far stronger sense of exactly who he was.

To anyone who loves motion pictures, Marlon Brando is both a giant of the art and a disappointing enigma. His method-based, down-to-earth, realistic acting style made him one of the most, if not the most, influential actor in the history of the medium. Only Lillian Gish comes close in the way she changed acting. He was, in the 1950s, huge. His films made big box office. His talent was universally praised. Women swooned over him.

But then, in the sixties, he earned a reputation as a troublemaker on the set. He had a comeback in the early 70s with The Godfather and Last Tango in Paris. But he soon gave up on being a great actor. He only took parts that paid huge amounts of money but required very little effort. He became a joke.

Some people write diaries. Brando spoke his. He recorded his thoughts and feelings into tape recorders over the course of his life. When he died in 2004, he left behind hundreds of hours of these tapes. Director Stevan Riley used these recordings as the backbone to Listen to Me Marlon. We hear him talking about his alcoholic and abusive parents, the characters he played, the tragedies that ruined his children’s lives, and his sexual promiscuity. He gives his side of the story about the famously troubled productions of Mutiny on the Bounty and Apocalypse Now. He explains the difficulties he had finding his character for The Godfather, and how he realized the Don Corleone sees himself not as a monster, but as a loving, gentle patriarch.

Riley supplements the talking with music–much of it haunting–interviews, and scenes from his movies. We have a huge photographic record of Marlon Brando’s life and an even larger one of his work. Riley uses both to illustrate what’s being said on the soundtrack.

Listen to Me Marlon doesn’t show us all that much about what Marlon Brando did. It us tells what he thought. And when you come right down to it, that’s the more fascinating story.

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