Saturday afternoon, I made it to the Rafael for a Mill Valley Film Festival screening of Rob Nilsson’s A Bridge to a Border. To be honest, I wouldn’t have picked that film if I had recognized the director’s name. Two years ago I caught his Maelstrom, and hated it.
I’m glad to say that A Bridge to a Border is nowhere near as bad as Maelstrom. This time around, the characters seem vaguely interesting, and are actually involved in trying to do something. It even gets exciting near the end. I’d give it a C+.
This time around, a quarrelsome group of left-wing terrorists plan to blow up the Bay Bridge. Why? I’m not sure. There’s some talk about how successful the Weather Underground and the Black Panthers had been, and how pathetically the Occupy Movement failed.
Because it’s a Rob Nilsson film, there’s a lot of semi-improvised dialog, much of which goes nowhere. Occasionally the dialog succeeds to letting us know something about the the characters, but not often. We get to know what turned some of them into violent radicals, but others are left as cyphers. Things pick up near the end, and the climax kind of works.
After the movie, we were treated to a Q&A with Nilsson and members of his cast. Some highlights:
- Nilsson said the film was made not so much with money but by "people power."
- The climactic scene on the Bridge was done with a green screen.
- Someone asked about Nilsson’s unique approach to working with actors (who he prefers to call players). He runs a workshop where people work on relaxation and concentration. "We try to find the places inside ourselves"
- "We do a lot of backstory improvisation."