This year’s San Francisco International Film Festival ended Thursday night at the Castro with a screening of Chris Messina’s directorial debut, Alex of Venice. It was not a perfect way to end the festival, but it was a good way.
The crowd was surprisingly thin. There was an empty seat next to me, and the row in front of me had one person in it. I recognized Francis Coppola in the audience, and Don Johnson (one of the film’s stars) in the lobby.
The show was supposed to start at 7:00, but it as 7:14 before Executive Director Noah Cowan came onstage and asked us to applaud the staff. “I could not be more impressed by their hard work. I came into this organization less than 10 weeks ago, so what you saw was their hard work, not mine.”
He introduced Director of Programming Rachel Rosen, who said that she: "can’t wait to do it again next year." After some brief praise for the night’s film, Alex of Venice, she introduced actor-turned-director Chris Messina. He talked about being a first-time director, and of working with other first-time directors ("They usually tell you to watch a John Cassavetes film.") He said that, because of his inexperience, everyone involved from the actors to the investors had had to make :a leap of faith." He was glad they did.
The film started at 7:29.
A- Alex in Venice
The work-vs.-family dynamic comes into full force in this drama set in Venice, California. Alex (Mary Elizabeth Winstead) has more than her hands full. She’s an environmental lawyer working very long hours. She has a son and a senile father (Don Johnson) to worry about. Then her husband (Messina) leaves her. Aside from one unbelievably stupid action, Alex of Venice works beautifully. The characters reveal themselves nicely. They’re sweet, funny, and usually very real. The acting is never short of perfect, and this is the sort of story that depends entirely upon the acting.
After the film, five of the filmmakers came onstage for Q&A. They were director/actor Chris Messina, star Mary Elizabeth Winstead, actor Don Johnson, co-writer/actor Katie Nehra, and producer Jamie Patricof.
- On how new director Messina got the cast to trust him:
Nehra: He’s very convincing. When you meet Chris, you see he had a really clear vision of the film…When I wrote this script, I wanted him to play George; he ended up playing George and directing.
Johnson: He couldn’t see anyone else playing this part and I couldn’t see myself playing it…" With a smile he added "He talked a lot about John Cassavetes"
- Someone asked if there was much improvisation. Messina: "I loved the script. We said the words, we wanted to say the words." He then explained how they would run the camera as long as they could at the end of a take and improvise non-verbally. "When I was in the editing room I had a lot to cut with."
- Messina: “For years I made the mistake of telling my family what a great director I would be. Then I discovered that there were a million challenges that I never thought about before.”
After the Q&A, I went to The Chapel for the Festival’s closing party. It was a fine party, but I couldn’t stay long.