The Balboa starts its Samurai series today. That's as good an excuse as any to talk about my all-time favorite filmmaker, Akira Kurosawa. No one else combined as full a technical and artistic mastery of the medium with such a deep and sympathetic understanding of the human condition. At least no one else did so … Continue reading Kurosawa
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Methods of Projection
Projecting 35mm motion picture film is a violent, potentially dangerous act. (Dangerous for the film. Not, thankfully--for the humans involved, although it was before acetate film replaced nitrate more than 50 years ago.) Every minute, 90 feet of expensive artwork passes through a complicated, gear-and-sprocket machine. For the purposes of sound, it must move at … Continue reading Methods of Projection
The Ratings Game
The MPAA's movie rating system--the one that brands a film R, or G, or NC-17--is very much like democracy. It's only redeeming feature is that it's better than the alternative. The alternatives to democracy and the rating system are totalitarianism and the Production Code that kept movies in line from 1934 through 1968. Not much … Continue reading The Ratings Game
Rufus T. and George W.
If you're a subscriber, I hope you've been getting the newsletter. My Web and mail host, IX WebHosting, had some trouble with one of its mail servers that was finally resolved Wednesday night. I don't know when the problems started (sometime in October) or if if it actually effected the mailings. If you didn't receive … Continue reading Rufus T. and George W.
Great Digital Projection
Call me George Lucas if you must, but I'm ready to embrace digital projection. Chicken Little, in digital 3D at the Sony Metreon, blew me away. Let me explain. Chicken Little, a paint-by-the-numbers studio assembly-line piece of junk that tried vainly to recreate the Pixar magic, did not blow me away. The characters were family … Continue reading Great Digital Projection
Smoking in Black and White
As the holidays pass, life returns to normal. I even managed to get out and see some movies. And one of them challenged a long-cherished belief. Good Night, and Good Luck. (the comma and period are part of the title) is based on well-documented historical events, and it follows those events"”as near as I can … Continue reading Smoking in Black and White
New Motion on Stop-Motion
Things are slowly getting back to normal around here. I'm preparing a schedule for the week of October 30, and will post it this coming Sunday. If I'm really lucky, I may even find time to see some movies. Two movies that I did manage to see recently were Corpse Bride and Wallace & Gromit … Continue reading New Motion on Stop-Motion
Movies for the Week of October 14, 2005
I’m taking the week off of Bayflicks, but here are a few movies that I felt I had to mention: Recommended: I Live in Fear (AKA Record of a Living Being), Pacific Film Archive, Friday, 8:50. Perhaps it’s the dreadful American title, or maybe it's the lack of swordplay, but Kurosawa’s 1955 gem (made in-between … Continue reading Movies for the Week of October 14, 2005
Capote
I can't think of a historical figure more challenging for an actor to play than Truman Capote. You can't do that voice without it sounding like a broad comic Truman Capote impersonation. Capote himself sounded like a broad comic Truman Capote impersonation. But Philip Seymour Hoffman pulls it off--with major help from screenwriter Dan Futterman … Continue reading Capote
Mill Valley Film Festival
It's not Cannes, but in 28 years, the Mill Valley Film Festival has earned a great deal of local respect. It doesn't have quite the size or status of the San Francisco International Film Festival, but it's way ahead of everything else in the neighborhood. This year the festival runs from October 6th through the … Continue reading Mill Valley Film Festival