Last night, Turner Classic Movies and Fathom--a company that distributes high-definition operas and stage plays to movie theaters--presented Casablanca in 485 theaters--mostly or entirely big multiplexes--across the USA. Needless to say, the movie was digitally projected. The event was tied to Casablanca's 70th anniversary. In fact, the show was officially titled Turner Classic Movies Presents … Continue reading Watching Casablanca, Digitally Projected, at a Big Multiplex
Category: Digital Projection
The Challenges of Digital Projection, Part 3: Preservation
In my first two pieces on the conversion to digital projection, I covered what the conversion would do to theaters and how it would likely effect small distributors and classic film presentation. In this final installment, I discuss the scariest part of all: Will studios and archives be able to preserve their motion pictures in … Continue reading The Challenges of Digital Projection, Part 3: Preservation
The Challenges of Digital Projection, Part 2: Distribution
As the theatrical film industry moves to digital projection, will we still be able to watch independent films and classic movies on the big screen? Last week I covered one major issue: How will small, independent theaters finance expensive new projectors and the servers required to run them? This week I'm covering the other side … Continue reading The Challenges of Digital Projection, Part 2: Distribution
The Challenges of Digital Projection, Part 1: The Theaters
Esthetically speaking, I see no problem with digital projection. Under the best of conditions, 2K DCP projection looks better than 35mm film--and 4K looks better than 2K. An incompetent projectionist can ruin a digital presentation, of course, but with film, they can ruin the presentation and the print. As transitions go, digital hardly changes the … Continue reading The Challenges of Digital Projection, Part 1: The Theaters
In Praise of Digital Projection
I’m a cinema purist. I want my films shown in the correct aspect ratio. I don’t approve of colorization, adding new and “improved” special effects, or 2D-to-3D conversions. I’m offended when the DVD or Blu-ray disc of a classic doesn’t include the original mono soundtrack. Yet, in terms of the esthetic cinematic experience, I wouldn’t … Continue reading In Praise of Digital Projection
Great Projection Saturday, Part 1: D- Box, Sony 4K, and Super 8
I had a great movie-going day yesterday. Two great movies, both expertly presented in their best available format. I started the morning at the Camera 7 Pruneyard, south of San Jose, for a special press screening of Super 8 (I’ve just added Camera Cinemas to Bayflicks’ list of theaters). Theater manager Alejandro Adams organized the … Continue reading Great Projection Saturday, Part 1: D- Box, Sony 4K, and Super 8
Cave of Not-Forgotten Digital Projection
Last night, Cave of Forgotten Dreams became the first film I’ve seen digitally projected in two different theaters. The experience taught me something important: The difference between people who love digital projection and people who hate it may be the difference between the theaters they patronize. That the film was in 3D both times accentuated … Continue reading Cave of Not-Forgotten Digital Projection
Digital Projection & Classic Movies
Twice this month I saw, projected digitally, an older, arguably classic film, originally intended to be screened in 35mm. One was a major disappointment—technically, at least. The other was perfectly acceptable. Both films were new “director’s cut” versions. I’m guessing that the owners of these films chose not to spend money on a 35mm print, … Continue reading Digital Projection & Classic Movies
The Castro’s New Digital Projector
Note: I made a slight alteration to this post on June 30, at the request of a Castro employee. The Castro has a new digital projector. I’m not talking about the kind you might use for conference presentations, then bring home to watch DVDs. I’m talking about the kind of big, 2K projector that’s becoming … Continue reading The Castro’s New Digital Projector
The Digital and Deflated Imax Experience
Regular readers may remember my enthusiastic response to The Dark Knight in Imax. I called it "the best way to present the most spectacular of Hollywood entertainments." After seeing Star Trek in digital Imax at AMC's Emery Bay multiplex last night, I have to amend that. Real, film-based Imax, in a real Imax theater, is … Continue reading The Digital and Deflated Imax Experience