Persepolis

Can one call a 95-minute, low-budget, animated film an epic? I think this one qualifies. It may also qualify as a masterpiece. It’s certainly an excellent and an important movie. Iranian/French cartoonist Marjane Satrapi based Persepolis on her own autobiographical graphic novels (Vincent Paronnaud shares screenwriting and directing credits). Through the eyes of young Marjane … Continue reading Persepolis

The Violin

Political drama Written and directed by Francisco Vargas The Violin opens with a brutal scene of torture and rape conducted by soldiers against their helpless, bound victims. Don’t let the title deceive you; this is not a musical. Although Francisco Vargas’ film of repression and rebellion feels immediate and contemporary, I can’t say exactly when … Continue reading The Violin

Berlin & Beyond Preview

I've previewed three films scheduled for the Berlin & Beyond festival opening Thursday at the Castro. Here's how they stand: Fashion Victims, Friday, 8:00. Financial, professional, and personal pressures push fashion salesman Wolfgang Zenker to the edge in Ingo Rasper’s vaguely serious comedy. We can laugh at this man’s self-destruction because he’s such a self-centered … Continue reading Berlin & Beyond Preview

I Am Legend

Sci-fi horror thriller Written by Mark Protosevich & Akiva Goldsman Based on the novel by Richard Matheson Directed by Francis Lawrence I wonder if the Warner Brothers executives who greenlit this movie knew what they were getting into. You okay a big budget end-of-the-human-race scifi adventure starring Will Smith (seems a safe bet), and you … Continue reading I Am Legend

Juno

Dramatic comedy Written by Diablo Cody Directed by Jason Reitman The last thing I expected before the year ended was a comedy about unintentional pregnancy that was more truthful, more insightful, and just plain funnier than Knocked Up. I found one. You could go to movies for years and not find anything as good as … Continue reading Juno

Helvetica

Documentary Produced and directed by Gary Hustwit Director Gary Hustwit clearly feels passionate about typefaces. So do the graphic designers he interviews. Some consider the ubiquitous san serif font for which the movie is named to be brilliant and almost sacred--the perfect choice for everything. Another, only half joking, blames Helvetica for the Iraq war. … Continue reading Helvetica