Akira Kurosawa’s 25th film, Dersu Uzala, sits alone amongst his other work. It’s his only film not set and shot in Japan and without Japanese actors or dialog. It’s the only one shot in a large format—Sovscope 70, the Russian equivalent of Todd-AO and Super Panavision 70. And it won him his only Best Foreign … Continue reading Kurosawa Diary, Part 25: Dersu Uzala