Sequel. The very word conjures up images of Hollywood at its most crass and commercial. Indeed, the term art house sequel sounds like an oxymoron. Yet in less than two years, we've had The Barbarian Invasions (Denys Arcand's follow-up to his 1989 Decline of the American Empire) and Richard Linklater's Before Sunset. And now we're … Continue reading The Good, the Bad, and the Sequels