First-rate books seldom make first-rate films–especially when the book is nearly 900 pages long. Yet screenwriter Michael Goldenberg, new to the franchise, manages just that type of magic by stripping J.K. Rowling’s best and longest novel to the bone. True, he left out many of the book’s best scenes and characters–there’s no embarrassing first date, McGonagall doesn’t ignore and insult Umbridge while discussing Harry’s career plans, and you could miss Percy if you blink. But Goldenberg and director David Yates (also new to the franchise) keep the story’s essential themes about courage, friendship, adolescent disillusionment, sexual awakening, and how a supposed democracy can turn repressive with the help of a compliant press. They’ve also made one hell of a tight, dark, and scary supernatural thriller.
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