
Stanley Kubrick’s strange, “ultra-violent†dystopian nightmare about crime and conditioning seemed self-consciously arty in 1971, and it hasn’t improved with time. But several of its scenes—the “Singin’ in the Rain” rape, the brainwashing sequence, Alex’s vulnerability when he’s attacked by his former mates—are brilliant, as is Malcolm McDowell’s performance as a hooligan turned helpless victim.
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