Must I write about the Oscars? Must I gnash my metaphoric teeth over lousy films nominated and good ones ignored? Must I ask just what the Academy was thinking? Reality check: The Motion Picture Academy doesn’t have a single mind to think with. It contains hundreds of minds, of various levels of brightness, that choose [...]
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Noir City, Castro, Friday through Sunday, February 4. I’m not highlighting any one particular movie here–I haven’t seen any of them. I’m just reminding you of 10 rare, black and white, 35mm double bills showing off the bleakest of Hollywood filmmaking. Show People, Pacific Film Archive, Wednesday, 3:00. We remember Marion Davies, if we remember [...]
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Technology will one day eliminate the image quality gap between home theater and real 35mm. But it will never eliminate the audience gap, because it can never replace the thrill of watching a movie while surrounded by hundreds of your fellow homo sapiens. Or so I was reminded last Saturday when I caught Rear Window [...]
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Let me start with an apology. I only this week found out that a Werner Herzog Retrospective has been running at SFMOMA since November. I’ll list the few remaining films as they come. The Holy Mountain In more up-to-date news, the Castro will screen Alejandro Jodorowsky’s 1970′s cult favorites El Topo and The Holy Mountain [...]
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I have two hands with five fingers each, and therefore must pick my Top Ten Films of 2006. But first, some ground rules: To qualify, a film must meet three criteria: First, it had to play its first open-ended, Bay Area release in 2006. Films that only played festivals don’t qualify, but I’ve already given [...]
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